In the eyes of passers-by, how much is Xiao Zhan's acting skills worth?

Maybe because a few days ago I wrote an article related to Xiao Zhan, more search Xiao Zhan information, these days Baidu pushed me a lot of Xiao Zhan information, just have to understand some of his recent developments, such as also shooting a sister and brother drama, such as that sea may be broadcast. This gives me some more insight into one of Xiao's problems that I want to record, and that is Xiao's acting skills. Regardless of how fans and marketing numbers tout, excluding the personal charisma of Xiao, objectively speaking, Xiao's acting skills remain at the level of an idol, saying that the strength of the school is indeed a bit forced. Although not much like to see the current idol drama, but out of a good feeling for Xiao war personal, I have looked through most of his works, such as the Chen love order, the rest of life, ace troops, Douluo continent and so on, unfortunately, without exception, are the idol set. Some fans may strongly object, saying that ace is a military drama, not an idol drama, I can only say that, in my eyes, it is a youthful idol drama with a military theme. If the military drama, soldier assault to give a full score of 10 points, ace can only give 6 points. Likewise, if Zhang Yi's acting is a full 10 points, then Xiao Zhan's acting is only 6 points at most. Of all the works I've seen of Xiao Zhan, I personally think the peak of his acting skills is still the two short films "Buy Ears" and "Family Rules" from a few years ago. Other works, none of them are set in the circle of idols. Of course, this is not a problem for him alone, the presentation of the role depends largely on the director. Xiao Zhan, as a vegetarian, has accumulated his acting skills from nothing to something, basically gained in idol dramas. Maybe he does have the potential to be a powerhouse, but so far, his on-screen performance is still limited to the idol set. This aspect of performance is a bit like his predecessor, the model of the idol class - Andy Lau. Andy Lau was once questioned about his lack of acting skills, only handsome, in the path of idols for decades before finally having the opportunity to be recognized in acting, it can be said that in acting is a lack of talent, all rely on hard work. Unlike Zhang Guorong, Tony Leung and Anita Mui, these people are talented and agile, showing excellent character building ability very early. From the iconic transformation of strength of the former representatives, there is an older generation of actors Tang Guoqiang. When the "Little Flower" that is also a proper youth idol drama, Tang Guoqiang is also stereotyped as a creamy young man, in the idol of this road wandered for many years. The real change in my view of Tang Guoqiang's acting is in the "Yongzheng Dynasty", from the role of Yongzheng, I no longer see the shadow of Tang Guoqiang, but only a self-restraint, diligence, deep ambition and scheming politicians. Today's idol, Xiao Zhan, although he joined the circle because of singing, but his current focus is on acting. With his character, he must be hoping to achieve something in the field of performance. But if you can not always jump out of the idol set, then this ideal to achieve I'm afraid it is difficult. Since the direction of the professional actor is going, then you should try to try a variety of styles, starting with the original performance, gradually challenge different personalities, digging deeper into the heart of various characters, and strive to shape a few classic image that can stand the test of time, rather than being stereotyped in the handsome, wise, warm male god set. Xiao Zhan is now in danger of being stereotyped, and the shadow of his idol Xiao Zhan can be seen in all his roles. Often, I see fans commenting on Xiao Zhan's acting skills as a sacrificial performance, dedicating themselves completely to the role and forgetting themselves. Forget himself may he did, but if he really jumped out of himself into the role, then he presented the results, only to say that his understanding and grasp of the role is not deep enough, he is still standing in his own perspective, or even stand in the idol director taught him the perspective, in understanding the role, rather than out of themselves, completely from the original background, from the perspective of the role itself to understand the role. Of course, I am not belittling idol dramas, which can also become classics. Like "Roman Holiday", Romy Schneider's version of the "Princess Sissy" trilogy, etc., which are the top idol drama, very much in line with the public's imagination of the princess prince, of course, has also been recognized by generations of viewers. However, the idol drama played to the ceiling, but also always in the public mind to cater to the imagination. These characters are far from our lives, representing beauty and fairy tales. Fairy tales are after all fairy tales, real life is the source and foundation of performance. As a professional actor, if you want to