Wang Yibo is an actor and a movie muse

The Mountain River Starlight" Wang Yibo
04:31
From the nighttime scribe

When "Nameless" blossoms inside the wall and smells outside the wall

MADE IN CHINA

is no longer the original sin of Chinese cinema

SO, what are the coveters liquidating

And what are you and I defending?

There is no such thing as love without a reason, and the director's favoring of actors is itself too interpretable. Cheng Er's attitude towards creation is to stay sober and pursue restraint as much as possible, but his treatment of Wang Yibo is more like that of Shanghai and its dialect, with a certain unifying connotation stemming from creative piety, namely the artist's certainty, sentimentality and arrogance towards beauty, muse and inspiration.

The director Cheng Er and the actor Wang Yibo collaborated again on the movie "Mermaid", of course, there is an undercurrent of interest, but for Geek Cheng Er, whose work is paramount, it is a kind of preference based on industry sentiment and the intentional cultivation of a horse. The high-profile offering of "super art film", may be regarded as the muse on the side of the "old man chatting about young mania".

For one thing, Wang Yibo's plasticity and authorship director fit the silky smooth. The quality and style of film and television works often depend on the director's quality and style. The director is not necessarily a film artist, but the authorial director must be. And it is the kind of artist with a strong personal style, a strong desire for self-expression, and the ability to completely master the production through ideas and personality.

When film makers are playing the game of resource integration and networking, there are very few author directors who are quiet and submerged, and Cheng Er happens to be one of them. His distinctive personality, artistic temperament and spy genre creation and commercial integration are the focal point of "Nameless". His relationship with the new generation actor Wang Yibo, who also has a distinctive personality, became the singular point of his career turnaround.

Cheng Er said, "I have not summed up the urban temperament of Shanghai, and the word that flashed through my mind at this time was 'gentle sharpness'." This word seems to be difficult to explain in words, the real Shanghai people, bait and boiling silk may be able to understand. Yes, it is the kind of "know the rules, but not the constraints, have a tone but not pretentious, compatible but have the bottom line" the bones of the oldschool.

And then in layman's terms, that is "yuppie", "sultry", "model" - that is exactly a Shanghai Beach suit The thug should have the look! This is the bottom logic of "dock culture + buyer culture", the top cognition of "contract spirit + literary accent", and then in the magic city boundary up and down compatible peace, and finally derived from the indifferent and detached "human Sobriety".

Although the Henan native Wang is still a northern man, but the face under the three white eyes of the noble, Korean-style idol experience and the top stream of life in high places, and indeed he has a look "expensive and sophisticated", "indifferent and detached" side of the sea attributes. The Mr. Ye in "No Name" is indeed such an elegant and blunt knife of murder!

And Cheng Er, a Hubeian with indelible memories and personal affection for Shanghai life. His film career and fiction life, from "Once Upon a Time in East Asia" to "Romance" and "Nameless" are all Shanghai contexts. Cheng Er meets Wang Yibo is the mutual achievement of strength and IP, moreover, it is the premise that the marriage of art and business is ultimately refreshing.

"Modest gentleman, very much in line with the era we want to present, he looks like he came out of that era, his elegance and sense of power, the little bit of vulnerability he shows occasionally, is the Shanghai that belongs to that era." Cheng Er commented that Wang Yibo could superimpose a lot of things given to him, which shows that the plasticity of the actor is the galloping space for the authorial director.


From the director's style and the actors' feedback, Cheng's guidance is "overall control + local support". His lines are so well-crafted that the actors are rarely free to play. Based on the rigorous scheduling, the crew was able to combine different acting styles and unify textures during the filming, from movie stars to new generations to guest stars, with the unique context of "No Name".

If it is in a martial arts context, it is more like Cheng Er will teach the path of internal training than the hard and fast external horizontal training techniques. For example, never give specific advice like "walk a few steps back, which sentence to finish hands up", but will talk to the actor "how to experience the role inside, in the scene at the moment he is how a psychological state".


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